PERFORMANCE RESEARCH, VOLUME 16, ISSUE 2, JUNE 2011

Περιεχόμενα

Editorial: Performing Publics
LAURA LEVIN & MARLIS SCHWEITZER
[artist's pages] A proposal for 'the worst public artwork' contest
GUILLERMO GOMEZ-PENA
SECTION 1: PUBLIC SPHERES
Working Publics
SHANNON JACKSON
[artists' pages] Lesbian National Parks & Services
SHAWNA DEMPSEY & LORRI MILLAN
Rethinking the Public Sphere for a Global Age
JANELLE REINELT
'Identity Correction': The Yes Men and acts of discursive 'leverage'
LOUISE OWEN
Embarrassing Time, Performing Disunity: Rugby, the haka, and Aotearoa-New Zealand in the United Kingdom
RYAN HARTICAN
You Talkin' to Me?: Eavesdropping on the Conversation at "Te Matatini Maori" Performing Arts Festival
SHARON MAZER
Aging Provocateurs and Spect(er)acular Pub(l)ic Performances
ERICA STEVENS ABBITT, JOHANNA FRANK, CERALDINE (GERRY) HARRIS & ROBERTA MOCK
Performing the National Interest?: Mother Courage at the National Theatre in London and Ottawa
MEGAN MACDONALD
Street Church and Service as Salutation: The public ecclesiology of the South of Market Episcopal churches
CLAIRE MARIA CHAMBERS
SECTION 2. PUBLIC FEELINGS
Making Mourning Show: Hamlet and affective public-making
KATE WELCH
Reviving Feeling: Performing Robert. F. Kennedy in Kentucky
LINDSAY B. CUMMINGS
Pilgrimage as Utopian Performative for a Post-Colonial Counterpublic
JAZMIN BADONC LLANA
Unwitting Performances of Transparency: Monitoring the travelling public, managing airport affect
RACHEL HALL
'Barack Me Tonight': Re-sounding politics via the Interweb
T. NIKKI CESARE
SECTION 3: PUBLIC SPACES
Democracy and Neoliberalism in Art's Social Turn and Roger Hiorns's Seizure
JEN HARVIE
(Dia)logics of Difference: Disability, performance and spectatorship in Liz Crow's Resistance on the Plinth
BREE HADLEY
Public Pie: Performing public space
SIGRID MERX
Polls and Publics: The role of cultural pluralism in the imagined Canadian city
KEREN ZAIONTZ
If Ya Liked It, Then You Shoulda Made a Video: Beyonce Knowles, YouTube and the public sphere of images
KIRSTEN PULLEN
SECTION 4: PUBLIC RECORDS
Yes, There Is a Joseph Wagenbach : History and the performativity of what might be true
CECILIA ALDARONDO
[artists' pages] The Leona Drive Project: A Public Access + L.O.T. Project
JANINE MARCHESSAULT &. MICHAEL J . PROKOPOW
Acts of Exposure and Erasure in Katsushige Nakahashi's Zero
JESSICA NAKAMURA
The Empty Stage : Matthew Buckingham's pursuit of Amos Fortune
JANE BLOCKER
FINAL REFLECTION
On 'Publics': A feminist constellation of key words
JILL DOLAN
Notes on Contributors