PERFORMANCE RESEARCH, VOLUME 16, ISSUE 3, SEPTEMBER 2011

Περιεχόμενα

Preface
RIC ALLSOPP
What Parts of Us Can Do With Parts of Each Other (and When): Some parts of this text
KAI VAN EIKELS
7, 35, 55, 76-77, 99, 121-122, 127 'B2B' [artist's pages]
JAN-HOLGER MAUSS
Getting Together and Falling Apart: Applauding audiences
BETTINA BRANDL-RISI
What There Will Be Instead of An Audience
THE IMPLICATED
The Art of Being Many: A position paper
CEHEIMAGENTUR
The Outside of 'Sitting In': Jazz sessions and the politics of participation
DANA GOOLEY
The Diva's Fans: Opera and bodily participation
CLEMENS RISI
Composing Listening
BILL DIETZ
Now Everybody Sing: The voicing of dissensus in new choral performance
MISHA MEYERS
Tuning In/Out: Auditory participation in contemporary music and theatre performances
KATHARINA ROST, STEPHANIE SCHWARZ & RAINER SIMON
The Piece Comes to Life through a Dialogue with the Spectators, not with the Performers: An interview on participation with Dries van Noten
ADAM CZIRAK
LIGNA: The Call of the Mall
OLE FRAHM
Out of Sync: duration, participation and reactional pathways
GEORGINA GUY
Given the Felix Gonzalez Torres's Case: The art of placing a different idea of participation at our disposal
SANDRA UMATHUM
De-aging Dancerism? The aging body in contemporary and community dance
NANAKO NAKAJIMA
Theatre On Call: Participatory fainting and Grand-Guignol theatre
KAREN QUIGLEY
Worst Participatory Experiences
Here, There and In-Between: Rehearsing over Skype
PETER PETRALIA
Enter the Game: The role of the spectator in the performances of She She Pop
ANNEMARIE MATZKE
Sounding Off: Performance, dyssynchrony and participatory media
HEATHER WARREN-CROW
Peep
CLAIRE HIND
Notes on Contributors