THIRD TEXT, VOLUME 109, ISSUE 25/2, MARCH 2011

Περιεχόμενα

QUE TE CORRE LA SANGRE DE INDIO, CABRON: THE MYTHS OF MESTIZAJE AND NATION IN PANCHO GOES TO COLLEGE
Ernesto Todd Mireles
DENIS WILLIAMS IN LONDON: 1946-1957
Evelyn A Williams
HUMAN RIGHTS MARKETS AND BORN INTO BROTHELS
Sarah Brouillette
ORLAN'S SELF-HYBRIDIZATIONS: COLLECTIVE UTOPIA OR TWENTY-FIRST-CENTURY PRIMITIVISM?
Gabriela Cala-Lesina
THE INSTITUTE OF TOTAL SUPPLY
Victor Tupitsyn
SCATTERED (WESTERN MARXIST-STYLE) REMARKS ABOUT CONTEMPORARY ART, ITS CONTRADICTIONS AND DIFFICULTIES
Mikkel Bolt Rasmussen
AFTER THE DIGITAL WE REMATERIALISE: DISTANCE AND VIOLENCE IN THE WORK OF REGINA JOSE GALINDO
Clare Carolin
REVIEWS
SUPER FARMERS' MARKET
Richard Dyer
THE EXPERIMENTAL GROUP: ILYA KABAKOV, MOSCOW CONCEPTUALISM, SOVIET AVANT-GARDES
Nadim Samman
PHOTOGRAPHING THE BARENTS REGION
Christine Hansen
JOHN GERRARD, OIL STICK WORK: ART ON THE UNDERGROUND
Paul O' Kane
MIGRATING FORMS: CONTEMPORARY AFRICAN PHOTOGRAPHY AT THE WALTHER COLLECTION
Rania Gaafar
CONTRIBUTORS