Παρουσίαση
(...) The challenge of Song of Solomon was to manage what was for me a radical shift in imagination from a female locus to a male one. To get out of the house, to de-domesticate the landscape that had so far been the site of my work. To travel. To fly. In such an overtly, stereotypically male narrative, I thought that straightforward chronology would be more suitable than the kind of play with sequence and time I had employed in my previous novels. A journey, then, with the accomplishment of flight, the triumphant end of a trip through earth, to its surface, on into water, and finally into air. All very saga-like. Old-school heroic, but with other meanings. Opening the novel with the suicidal leap of the insurance agent, ending it with the protagonist's confrontational soar into danger, was meant to enclose the mystical but problematic one taken by the Solomon of the tide. (...) (from the publisher)Toν/την συγγραφέα αυτόν προτείνουν οι:
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