Παρουσίαση
Initially, Ted Hughes aimed Season Songs at children. But according to Hughes, the poems 'grew up', as he wrote them. The syntax in Season Songs doesn't exclude children from enjoying and understanding much of the verse. But some of the collection's major themes transcend childhood experience. The poems are ordered according to season. Speaking broadly, Spring is characterized by awkward regeneration, Summer by Spring's rich and heavy issue, Autumn by decay, and Winter by silence and winnowed existence. As Hughes intended, these qualities are all pitched 'within hearing of children'. But at moments the writing is almost exclusively adult. In 'Spring Nature Notes' the air 'struggling in soft excitements / Like a woman hurrying into her silks' is not necessarily sexual, yet the simile requires a faculty of adult association. Also, Hughes's cultural allusions and references shouldn't alienate a younger audience, but children are unlikely to comprehend terms like 'Goidelic' or 'chitin'. Hughes illustrates the seasons in a way that allegorizes anthropomorphic life. In touching on subjects such as the inevitable progress towards death, or a newborn calf's 'hopeful religion', the book emerges from boundaries that Hughes's original creative purpose set for it. [...] (Nicholas Bland, thetedhughessociety.org]Toν/την συγγραφέα αυτόν προτείνουν οι:
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