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(P/B) ART IN THEORY 1648 - 1815 : AN ANTHOLOGY OF CHANGING I

(P/B) ART IN THEORY 1648-1815

AN ANTHOLOGY OF CHANGING IDEAS

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Κωδ. Πολιτείας: 0494-0435
Τιμή Πολιτείας
€47.93




Παρουσίαση

"Art in Theory (1648-1815)" provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, "Art in Theory (1815-1900)" and "Art in Theory (1900-1990)", its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period. Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works.A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations. Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided. (From the publisher)

Περιεχόμενα

Acknowledgements. A Note on the Presentation and Editing of Texts. General Introduction. Part I: Establishing the Place of Art: Introduction. 1. Ancients and Moderns: 1. From The Painting of the Ancients 1637: Franciscus Junius. 2. Letter to Junius 1637: Peter Paul Rubens. 3. From The Art of Painting, its Antiquity and Greatness 1649: Francisco Pacheco. 4. Dedication to Constantijn Huygens from Icones I 1660: Jan de Bisschop. 5. From Painting Illustrated in Three Dialogues 1685: William Aglionby. 6. 'A Digression on the Ancients and the Moderns' 1688: Bernard le Bovier de Fontenelle. 7. Preface and 'Second Dialogue' from Parallel of the Ancients and Moderns 1688: Charles Perrault. 8. From Reflections upon Ancient and Modern Learning 1694: William Wotton. 2. The Academy: Systems and Principles: 9. Letters to Chantelou and to Chambray 1647/1665: Nicholas Poussin. 10. Observations on Painting c. 1660-5: Nicholas Poussin. 11. Recollections of Poussin 1662-1685: Various Authors. 12. Petition to the King and to the Lords of his Council 1648: Martin de Charmois. 13. Statutes and Regulations of the Academie Royale de Peinture et de Sculpture 1648. 14. From An Idea of the Perfection of Painting 1662: Roland Freart de Chambray. 15. Letter to Poussin c. 1665: Jean Baptiste Colbert. 16. 'The Idea of the Painter, Sculptor and Architect' 1664: Giovanni Pietro Bellori. 17. From Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666: Andre Felibien. 18. Preface to Seven Conferences 1667: Andre Felibien. 19. 'First Conference' 1667: Charles LeBrun. 20. 'Second Conference' 1667: Philippe de Champaigne. 21. 'Sixth Conference' 1667: Charles LeBrun. 22. 'Conference on Expression' 1668: Charles LeBrun. 23. Table of Precepts: Expression 1680: Henri Testelin. 3. Form and Colour: 24. 'De Imitatione Statuorum', before 1640: Peter Paul Rubens. 25. From The Microcosm of Painting 1657: Francesco Scannelli. 26. From 'Diary of the Cavaliere Bernini's Visit to France' 1665: Paul Freart de Chantelou. 27. From De Arte Graphica 1667: Charles-Alphonse Du Fresnoy. 28. 'Remarks on De Arte Graphica' 1668: Roger de Piles. 29. From The Rich Mines of Venetian Painting 1676: Marco Boschini. 30. 'Conference on Titian's Virgin and Child with St John' 1671: Phillipe de Champaigne. 31. 'Conference on the Merits of Colour' 1671: Louis Gabriel Blanchard. 32. 'Thoughts on M. Blanchard's Discourse on the Merits of Colour' 1672: Charles LeBrun. 33. From Dialogue upon Colouring 1673: Roger de Piles. 34. From Practical Discourse on the Most Noble Art of Painting c. 1675: Jusepe Martinez. 35. From The Antiquity of the Art of Painting c. 1690: Felix da Costa. 4. The 'je ne sais quoi': 36. From The Hero 1637: Baltasar Gracian. 37. From The Art of Worldly Wisdom 1647: Baltasar Gracian. 38. 'Answer to Davenant's Preface to Gondibert' 1650: Thomas Hobbes. 39. From Fire in the Bush and The Law of Freedom in a Platform 1650/2: Gerrard Winstanley. 40. From Pensees c.1654-1662: Blaise Pascal. 41. On Grace and Beauty from Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666: Andre Felibien. 42. From The Conversations of Aristo and Eugene 1671: Dominique Bouhours. 43. From A Compleat Body of Divinity 1689/1701: Samuel Willard. 44. On Art and Beauty, Before 1716: Gottfried Wilhelm Leibniz. 5. Practical Resources: 45. From Miniatura; or The Art of Limning, Revised 1648: Edward Norgate. 46. On Rembrandt and Jan Lievens c.1630: Constantijn Huygens. 47. Letters to Constantijn Huygens 1636-9: Rembrandt van Rijn. 48. From In Praise of Painting 1642: Philips Angel. 49. From The Art of Painting, its Antiquity and Greatness 1649: Francisco Pacheco. 50. Preface to Perspective Practical 1651: Jean Dubreuil. 51. From Introduction to the Academy of Painting; or, The Visible World 1678: Samuel van Hoogstraten. 52. 'The Excellency of Painting' from A Treatise of Perspective.
Λεπτομέρειες
ISBN139780631200642
ΕκδότηςBLACKWELL
Σειρά
Χρονολογία ΈκδοσηςΙανουάριος 2001
Αριθμός σελίδων1248
Διαστάσεις25x17
ΕπιμέλειαΧΑΡΙΣΟΝ ΤΣΑΡΛΣ, ΓΟΥΝΤ ΠΟΛ, κ.ά.
Κωδικός Πολιτείας0494-0435
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