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(P/B) DELEUZE AND PERFORMANCE

(P/B) DELEUZE AND PERFORMANCE

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Κωδ. Πολιτείας: 1275-0261

Παρουσίαση

Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'?
Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.
Laura Cull is a PhD candidate in Drama at the University of Exeter, a part time lecturer in Performance at Northumbria University and Chair of the PSi Performance and Philosophy working group. She is also an artist, exhibiting internationally as an individual and as a member of the collective, SpRoUt. (From the publisher)

Περιεχόμενα

Introduction
Laura Cull
Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze
Herbert Blau
Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
I Artaud BwO: The Uses of Artaud's To have done with the judgement of god
Edward Scheer
Expression and Affect in Kleist, Beckett and Deleuze
Anthony Uhlmann
A Theatre of Subtractive Extinction: Bene Without Deleuze
Lorenzo Chiesa
Interval
Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future
Daniel Watt
and
Off the Beaten Path or, Notes Towards a Heideggerian
Deterritorialisation: A Response to Daniel Watt
Julian Wolfreys
Confronting Deleuze and Live Performance
Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper
Stephen Zepke
sub specie durationis
Matthew Goulish and Laura Cull
Thinking Through Theatre
Maaike Bleeker
Becoming-Dinosaur: Collective Process and Movement Aesthetics
Anna Hickey-Moody
Interval
...of butterflies, bodies and biograms... Affective Spaces in Performativities in the Performance of Madama Butterfly Barbara Kennedy
A Digital Deleuze: Performance and New Media
Like a Prosthesis: Critical Performance a Digital Deleuze
Timothy Murray
Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari
Andrew Murphie
The "Minor" Arithmetic of Rhythm: Imagining Digital Technologies for Dance
Stamatia Portanova
Notes on Contributors
Index
Λεπτομέρειες
ISBN139780748635047
ΕκδότηςEDINBURGH UNIVERSITY PRESS
ΣειράDELEUZE CONNECTIONS
Χρονολογία ΈκδοσηςΜάιος 2009
Αριθμός σελίδων288
Διαστάσεις23x16
ΕπιμέλειαΚΑΛ ΛΟΡΑ
Κωδικός Πολιτείας1275-0261
Θέμα
Θέση στο κατάστημαΕίσοδος Δ

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