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(H/B) NATIONAL TRADITIONS IN NINETEENTH-CENTURY OPERA

(H/B) NATIONAL TRADITIONS IN NINETEENTH-CENTURY OPERA

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ΣΥΛΛΟΓΙΚΟ
Κωδ. Πολιτείας: 0363-0276

Παρουσίαση

This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance. (From the publisher)

Περιεχόμενα

Introduction
Part I Contexts:
Some difficulties in the historiography of Italian opera, Fabrizio Della Seta
Metaphors for Meyerbeer, Cormac Newark
Italian romanticism and Italian opera: an essay in their affinities, Gary Tomlinson
Verismo: origin, corruption and redemption of an operatic term, Andreas Giger
Felice Romani, librettist by trade, Alessandro Roccatagliati
Frederick Gye and 'the dreadful business of opera management', Gabriella Dideriksen and Matthew Ringel
Opera audiences in Paris 1830-1870, Steven Huebner
Verdian opera burlesqued: a glimpse into mid-Victorian theatrical culture, Roberta Montemorra Marvin
Part II Composition and Analysis: History and works that have no history: reviving Rossini's Neapolitan operas, Philip Gossett
'La solita forma and 'the uses of convention"', Harold S. Powers
A key for chi Tonal areas in Puccini, Roger Parker and Allan W. Atlas
'Tristan' in the composition of 'Pelleas', Carolyn Abbate
Part III Criticism:
'Dormez donc, mes chers amours': Herold's La Somnambule (1827) and dream phenomena on the Parisian lyric stage, Sarah Hibberd
'TB sheets': love and disease in La Traviata, Arthur Groos
Masked balls, Ralph Hexter
Return of the repressed: the prima donna from Hoffmann's Tales to Offenbach's Contes, Heather Hadlock
Smyth the anarchist: fin-de-siecle radicalism in The Wreckers, Suzanne B. Robinson
Part IV Performance:
Knowing the score: Italian opera as work and play, Philip Gossett
Ornamenting Verdi's arias: the continuity of a tradition, David Lawton
'La cantate delle passioni:' Giuditta Pasta and the idea of operatic performance, Susan B. Rutherford
The sea and the stars and the wastes of the desert, Roger Parker
Name Index
Λεπτομέρειες
ISBN139780754628996
ΕκδότηςASHGATE
ΣειράASHGATE LIBRARY OF ESSAYS IN OPERA STUDIES
Χρονολογία ΈκδοσηςΔεκέμβριος 2010
Αριθμός σελίδων558
Διαστάσεις24x17
Κωδικός Πολιτείας0363-0276
Θέμα
Θέση στο κατάστημαΕίσοδος Δ, Πατάρι

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