Παρουσίαση
This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem. (from the publisher)Περιεχόμενα
Introduction, Mark GreengrassPart I The Virtual Representation of Text:
The imaging of historical documents, Andrew Prescott
Virtual restoration and manuscript archaeology, Meg Twycross
Representations of sources and data: working with exceptions to hierarchy in historical documents, Donald Spaeth
Part II Virtual Histories and Pre-Histories:
Finding Meanings: Finding needles in haystacks: data-mining in distributed historical datasets, Fabio Ciravegna, Mark Greengrass, Tim Hitchcock, Sam Chapman, Jamie McLaughlin and Ravish Bhagdev
Digital searching and the re-formulation of historical knowledge, Tim Hitchcock
Using computer-assisted qualitative data analysis software in collaborative historical research, Caroline Bowden
Stepping back from the trench edge: an archaeological perspective on the development of standards for recording and publication, Julian D. Richards and Catherine Hardman
Part III The Virtual Representation of Place and Time:
Which? What? When? On the virtual representation of time, Manfred Thaller
In the kingdom of the blind: visualization and e-science in archaeology, the arts and humanities, Vincent Gaffney
Using geographical information systems to explore space and time in the humanities, Ian Gregory
Spatial technologies in archaeology in the 21st century, Paul Cripps
Part IV The Virtual Representation of Historical Objects and Events:
Digital artifacts: possibilities and purpose, David Arnold
"Oh, to make boards to speak! There's a task!" Towards a poetics of paradata, Richard Beacham
Electronic corpora of artifacts: the example of the Corpus of Romanesque Sculpture in Britain and Ireland, Anna Bentkowska-Kafel
Conclusion: virtual representation of the past: new research methods, tools and communities of practice, Lorna Hughes
Appendix
Bibliography
Index
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