(H/B-25) ABSTRACT EXPRESSIONISM

Παρουσίαση

(...) "Abstract Expressionism" is no exception. On 30 March 1946 there appeared in the "New Yorker" a discussion of an exhibition in the Mortimer Brandt Gallery, the first comprehensive presentation of works by the painter Hans Hofmann, who had emigrated to the USA from Germany in 1932. The author of the review, Robert Coates, observed that until then the artist had been accorded little attention, and explained this in part by his painting technique: "For he is certainly one of the most uncompromising representatives of what some people have called the spatter-and-daub school of painting and I, more politely, have christened Abstract Expressionism." (...) (from the publisher)

Περιεχόμενα

1940s
JACKSON POLLOCK - The Moon-Woman Cuts the Circle
ARSHILE GORKY - Water of the Flowery Mill
HANS HOFMANN - Bacchanale
AD REINHARDT - How to Look at Modern Art in America
WILLIAM BAZIOTES - Cyclops
JACKSON POLLOCK - Full Fathom Five
PHILIP GUSTON - The Tormentors
BARNETT NEWMAN - Onement I
MARK ROTHKO - Unfilled
LEE KRASNER - Untitled
CLYFFORD STILL - 1949-H
BRADLEY WALKER TOMLIN - All Souls' Night, No. 2
1950s
WILLEM DE KOONING - Excavation
BARNETT NEWMAN - The Wild
JACKSON POLLOCK - Number 1, 1950 (Lavender Mist)
WILLEM DE KOONING - Woman I
DAVID SMITH - Hudson River Landscape
MARK TOBEY - Universal City
SAM FRANCIS - Saint Honore
AD REINHARDT - Number 5 (Red Wall)
RICHARD DIEBENKORN - Urbana No. 6
JACKSON POLLOCK - Easter and the Totem
ROBERT MOTHERWELL - Elegy to the Spanish Republic, No. 34
MARK ROTHKO - Ochre and Red on Red
PHILIP GUSTON - For M
LEE KRASNER - Bald Eagle
JOAN MITCHELL - Hemlock
HELEN FRANKENTHALER - Seven Types of Ambiguity
ADOLPH GOTTLIEB - Blast, I, 1957
FRANZ KLINE - Untitled
BARNETT NEWMAN - First Station
HANS HOFMANN - Pompeii
THEODOROS STAMOS - documenta II
1960s
AD REINHARDT - Abstract Painting No. 34
MARK ROTHKO - Rothko Chapel