(CD) ROTHKO CHAPEL

Παρουσίαση

Rothko Chapel addresses a network of musical relationships and inspirations. The album opens with Morton Feldman's Rothko Chapel, named for the Houston, Texas multi-faith chapel built to house Mark Rothko's site-specific paintings. Feldman considered that his music lay "between categories, between time and space, between painting and music", and described the score as his "canvas". Amongst his most important influences were abstract painters, his friend Rothko prominent amongst them. (Rothko, for his part, yearned to "raise painting to the level of music and poetry".) Feldman was also liberated by the freewheeling example of John Cage's work. "The main influence from Cage was a green light,'' Feldman said. ''It was permission, the freedom to do what I wanted.'' Cage, the most relentless of 20th century experimentalists, didn't acknowledge what he called an "ABC model of 'influence'" but always had a special fondness for Satie, a musical inventor of good-humoured originality with whom he could identify. Kim Kashkashian negotiates the subtle, glowing textures of Feldman's planes of sound, joined by Sarah Rothenberg on celeste, and supported by percussion and choir. Rothenberg, on piano, plays Satie's Gnossiennes and Cage's Inner Landscape, and the Houston Chamber Choir sings Cage's Four, Five and more.

Περιεχόμενα

1. Rothko Chapel (Morton Feldman)
2. Gnossienne No. 4 (Erik Satie)
3. Four (John Cage)
4. Ogive No. 1 (Erik Satie)
5. ear for EAR (Antiphonies) (John Cage)
6. Ogive No. 2 (Erik Satie)
7. Gnossienne No. 1 (Erik Satie)
8. Five (John Cage)
9. Gnossienne No. 3 (Erik Satie)
10. In a Landscape (John Cage)