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BENJAMIN WALTER

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Ο ΥΠΕΡΡΕΑΛΙΣΜΟΣ
ΤΟ ΤΕΛΕΥΤΑΙΟ ΣΤΙΓΜΙΟΤΥΠΟ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΔΙΑΝΟΗΣΗΣ
Κωδ. Πολιτείας: 7533-0001

Η επιθυμία για τη μετάφραση του Υπερρεαλισμού του Μπένγιαμιν προέκυψε μετά το ξανα-διάβασμα του κειμένου στο οποίο οδηγήθηκα συναντώντας το εκπληκτικό έργο του Νικόλα Κάλα. Το κίνημα του υπερρεαλισμού βρίσκεται στο κέντρο της δουλειάς του Κάλα και η πνοή που δίνει στο κίνημα, εμφυσεί και πάλι στα πνευμόνια του τον επαναστατικό αέρα, που χωρίς αυτόν ο υπερρεαλισμός πνέει τα λοίσθια. [...] (Από την εισαγωγή του Σάββα Στρούμπου)...
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ΤΟ ΕΡΓΟ ΤΕΧΝΗΣ ΣΤΗΝ ΕΠΟΧΗ ΤΗΣ ΤΕΧΝΟΛΟΓΙΚΗΣ ΤΟΥ ΑΝΑΠΑΡΑΓΩΓΙΜΟΤΗΤΑΣ
Εκδότης: ΕΠΕΚΕΙΝΑ
Κωδ. Πολιτείας: 6053-0005

Fiat ars - pereat mundus (τέχνη ας γίνει, και γαία πυρί μιχθήτω) λέει ο φασισμός και περιμένει, όπως διακηρύσσει ο Marinetti, ότι ο πόλεμος θα ικανοποιήσει καλλιτεχνικά την αλλαγμένη από την τεχνολογία αισθητηριακή αντίληψη. Αυτή είναι προφανώς η τελείωση του δόγματος l'art pour l'art ("η τέχνη για την τέχνη"). Η ανθρωπότητα που κάποτε ήταν, κατά τον Όμηρο, θέαμα για τους θεούς του Ολύμπου, τώρα έχει γίνει θέαμα για τον εαυτό της. Η αλλοτρίωσή της έχει φτάσει σε τέτοιο σημείο, που την οδηγεί να βιώνει την ίδια της την καταστροφή σαν αισθητ...
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(H/B) RADIO BENJAMIN
Εκδότης: VERSO BOOKS
Κωδ. Πολιτείας: 0627-0474

Walter Benjamin was fascinated by the impact of new technology on culture, an interest that extended beyond his renowned critical essays. From 1927 to '33, he wrote and presented something in the region of eighty broadcasts using the new medium of radio. Radio Benjamin gathers the surviving transcripts, which appear here for the first time in English. This eclectic collection demonstrates the range of Benjamin's thinking and his enthusiasm for popular sensibilities. His celebrated "Enlightenment for Children" youth programs, his plays, rea...
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(P/B) THE ARCADES PROJECT
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0025

THE ARCADES PROJECT is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) was constructed over the course of thirteen years-"the theater," as Benjamin called it, "of all my struggles and all my ideas." (from the publisher)...
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ON HASHISH
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0610

Walter Benjamin's posthumously published collection of writings on hashish is a detailed blueprint for a book that was never written--a "truly exceptional book about hashish," as Benjamin describes it in a letter to his friend Gershom Scholem. A series of "protocols of drug experiments," written by himself and his co-participants between 1927 and 1934, together with short prose pieces that he published during his lifetime, On Hashish provides a peculiarly intimate portrait of Benjamin, venturesome as ever at the end of the Weimar Republic,...
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(P/B) THE WORK OF ART IN THE AGE OF MECHANICAL REPRODUCTION
Εκδότης: PENGUIN
Κωδ. Πολιτείας: 3452-2195

One of the most important works of cultural theory ever written, Walter Benjamin's groundbreaking essay explores how the age of mass media means audiences can listen to or see a work of art repeatedly - and what the troubling social and political implications of this are. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroye...
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(P/B) THE ORIGIN OF GERMAN TRAGIC DRAMA
Εκδότης: VERSO BOOKS
Κωδ. Πολιτείας: 0627-0016

Cited by Lukacs as a principal source of literary modernism, Walter Benjamin's study of the baroque stage-form called Trauerspiel (literally, 'mourning play') is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderon and the engravings of Durer, Benjamin attempts to show how the historically charged forms of the Trauerspiel broke free of tragedy's mythological timelessness. From its philosophical pr...
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(P/B) SELECTED WRITINGS (VOLUME 4)
1938-1940
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0671

"Every line we succeed in publishing today...is a victory wrested from the powers of darkness." So wrote Walter Benjamin in January 1940. Not long afterward, he himself would fall prey to those powers, a victim of suicide following a failed attempt to flee the Nazis. However insistently the idea of catastrophe hangs over Benjamin’s writings in the final years of his life, the "victories wrested" in this period nonetheless constitute some of the most remarkable twentieth-century analyses of the emergence of modern society. The essays on Cha...
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(P/B) SELECTED WRITINGS (VOLUME 2)
PART 1, 1927-1930
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0026

In the frenzied final years of the Weimar Republic, amid economic collapse and mounting political catastrophe, Walter Benjamin emerged as the most original practicing literary critic and public intellectual in the German-speaking world. Volume 2 of the Selected Writings is now available in paperback in two parts. In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar German...
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(P/B) SELECTED WRITINGS (VOLUME 3)
1935-1938
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0625

Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie--such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers twenty-seven brilliant pieces, nineteen of which have never before been translated. The centerpiece, A Berlin Childhood around 1900, marks the first appearance in English of one of the greatest German works of the twentieth century: a profound and beautiful account of the vanished world of Benjamin’s privileged boy...
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(P/B) BERLIN CHILDHOOD AROUND 1900
Εκδότης: BELKNAP PRESS
Κωδ. Πολιτείας: 5311-0025

Begun in Poveromo, Italy, in 1932, and extensively revised in 1938, Berlin Childhood around 1900 remained unpublished during Walter Benjamin's lifetime, one of his "large-scale defeats." Now translated into English for the first time in book form, on the basis of the recently discovered "final version" that contains the author's own arrangement of a suite of luminous vignettes, it can be more widely appreciated as one of the masterpieces of twentieth-century prose writing. Not an autobiography in the customary sense, Benjamin's recollectio...
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(P/B) ILLUMINATIONS
Εκδότης: PIMLICO
Κωδ. Πολιτείας: 3485-0011

The literary-philosophical works of Walter Benjamin (1892-1940) rank among the most quietly influential of the post-war era, though only since his death had Benjamin achieved the fame and critical currency outside his native Germany accorded him by a select few during his lifetime. Now he is widely held to have possessed one of the most acute and original minds of the Central European culture decimated by the Nazis. Illuminations contains his two most celebrated essays, 'The Work of Art in the Age of Mechanical Reproduction' and 'Theses on...
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(P/B) WALTER BENJAMIN AND THE CORPUS OF AUTOBIOGRAPHY
Κωδ. Πολιτείας: 0851-0010

Although Walter Benjamin (1892-1940) is considered one of the most significant writers and theorists in twentieth-century Western culture, his enigmatic sense of the political has eluded definition. His later work in particular stages a perpetual but little understood confrontation with German fascism. Gerhard Richter shows that Benjamin's engagement with the political cannot be understood in terms of unified concepts and fully deducible theses that can be easily verified or refuted. Rather than explaining his sense of the political, Benja...
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(H/B) CORRESPONDENCE, 1930-1940
Εκδότης: POLITY
Κωδ. Πολιτείας: 3482-0365

We must see to it that we put the best of ourselves in our letters; for there is nothing to suggest that we shall see each other again soon. So wrote Walter Benjamin to Gretel Adorno in spring 1940 from the south of France, shortly before he took his own life. The correspondence between Gretel Adorno and Walter Benjamin, published here in its complete form for the first time, is the document of a great friendship that existed independently of Benjamin's relationship with Theodor W. Adorno. While Benjamin, alongside his everyday worries, wr...
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(H/B) WALTER BENJAMIN'S ARCHIVE
IMAGES, TEXTS, SIGNS
Εκδότης: VERSO BOOKS
Κωδ. Πολιτείας: 0627-0265

The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art and thought; a reservoir of texts, commentaries, scraps and fragments of everyday life, art and dreams. It comprises myriad smaller archives, in which Benjamin gathered together all kinds of artefacts, assortments of images, texts and signs, themselves representing experiences, ideas and hopes, each of which was enthusiastically logged, systematized and analyzed by their author. In them, Benjamin laid the groundwork for the salvaging...
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ΘΕΣΕΙΣ ΓΙΑ ΤΗ ΦΙΛΟΣΟΦΙΑ ΤΗΣ ΙΣΤΟΡΙΑΣ - Ο ΣΟΥΡΡΕΑΛΙΣΜΟΣ - ΓΙΑ ΤΗΝ ΕΙΚΟΝΑ ΤΟΥ ΠΡΟΥΣΤ
Εκδότης: ΟΥΤΟΠΙΑ
Κωδ. Πολιτείας: 3169-0004

"Ιστορική σύνθεση του παρελθόντος δεν σημαίνει αναγνώρισή του "με τον τρόπο που υπήρξε πραγματικά". Σημαίνει συγκράτηση μιας μνήμης, καθώς αστράφτει τη στιγμή του κινδύνου. Προσπαθεί γι' αυτό το λόγο ο ιστορικός υλισμός να συλλάβει μια εικόνα του παρελθόντος, καθώς εμφανίζεται αυτή απροσδόκητα στο ιστορικό υποκείμενο τη στιγμή του κινδύνου. Ο κίνδυνος απειλεί και τη συνέχιση της παράδοσης και τους παραλήπτες της. Είναι και για τους δύο ίδιος: να γίνουν όργανα της κυρίαρχης τάξης. Σε κάθε εποχή πρέπει να επιδιώκεται η εκ νέου απόσταση της π...
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(H/B) EARLY WRITINGS
1910-1917
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0797

Walter Benjamin became a published writer at the age of seventeen. Yet the first stirrings of this most original of critical minds-penned during the years in which he transformed himself from the comfortable son of a haute-bourgeois German Jewish family into the nomadic, uncompromising philosopher-critic we have since come to appreciate-have until now remained largely unavailable in English. Early Writings, 1910-1917 rectifies this situation, documenting the formative intellectual experiences of one of the twentieth century's most resolute...
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ΓΙΑΣΠΕΡΣ: Η ΓΛΩΣΣΑ
ΜΠΕΝΓΙΑΜΙΝ: ΓΙΑ ΤΗ ΓΛΩΣΣΑ ΓΕΝΙΚΑ
Κωδ. Πολιτείας: 0555-0018
ΔΟΚΙΜΙΑ ΦΙΛΟΣΟΦΙΑΣ ΤΗΣ ΓΛΩΣΣΑΣ
Εκδότης: ΝΗΣΟΣ
Κωδ. Πολιτείας: 3005-0035

ΕΙΣΑΓΩΓΗ ΒΙΒΛΙΟΓΡΑΦΙΚΟ ΣΗΜΕΙΩΜΑ 1. ΓΙΑ ΤΗ ΓΛΩΣΣΑ ΕΝ ΓΕΝΕΙ ΚΑΙ ΓΙΑ ΤΗ ΓΛΩΣΣΑ ΤΟΥ ΑΝΘΡΩΠΟΥ 2. ΤΟ ΕΡΓΟ ΤΟΥ ΜΕΤΑΦΡΑΣΤΗ 3. ΓΙΑ ΤΗ ΜΙΜΗΤΙΚΗ ΙΚΑΝΟΤΗΤΑ 4. Η ΓΕΝΕΣΗ ΤΗΣ ΑΛΛΗΓΟΡΙΑΣ 5. Ο ΑΦΗΓΗΤΗΣ ΕΡΜΗΝΕΥΤΙΚΑ ΣΧΟΛΙΑ ΕΠΙΜΕΤΡΟ: «ΜΠΩΝΤΛΑΙΡ», Ή ΤΟ ΤΕΛΕΥΤΑΙΟ ΓΡΑΠΤΟ...
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(P/B) THE COMPLETE CORRESPONDENCE 1928-1940
Εκδότης: HARVARD UNIVERSITY PRESS
Κωδ. Πολιτείας: 1825-0052

The correspondence between Walter Benjamin and Theodor Adorno, which appears here for the first time in its entirety in English translation, must rank among the most significant to have come down to us from that notable age of barbarism, the twentieth century. Benjamin and Adorno formed a uniquely powerful pair. Benjamin, riddle-like in his personality and given to tactical evasion, and Adorno, full of his own importance, alternately support and compete with each other throughout the correspondence, until its imminent tragic end becomes ap...
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