STEIDL

FRANK FILMS

(P/B) BLACK WHITE AND THINGS

(H/B) ANOTHER PORTRAIT BOOK
The camera documents a reality, and it unhinges it. One of Diane Arbur's most indelible images depicts a boy clutching a hand grenade in Central Park. He is clenched, bug-eyed, ready to explode. In the contact sheet sequence, he is simply a little kid with a toy. Decisive though the moment she has chosen may be in the photographer's eyes, it is her truth, no one else's. [...] (From the publisher)...
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(H/B) THE IMAGE TO COME

(H/B) PARIS

(H/B) EAST - FOR THE RECORD

SEVEN STORIES

(H/B) UNKNOWN WEEGEE

(P/B) MIRROR MIRROR / ESPELHO MEU

(H/B) MOKSHA

(P/B) THOUSAND - PHILIP-LORCA DICORCIA

(P/B) ROBERT LEBECK: TOKYO / MOSCOW / LEOPOLDVILLE

(P/B) ARCHIVE FEVER: USES OF THE DOCUMENT IN CONTEMPORARY

(H/B) PERU

(H/B) WHITE CUBE - 44 JAMES STR. LONDON

(H/B) KORDA

(H/B) SNOWMEN

(H/B) CHRIS OFILI
Caribbean tourist destination or Garden of Eden, rape or ecstatic communication, hip-hop queen or Virgin Mary, monkey business or Last Supper - Chris Ofili's beauties are fraught with challenging ambiguities, visual and iconographical. His deep involvement with the process of creating often enmeshes beauty in a surprising symbiosis of disparate cultures and religious practices that cultivate a constantly shifting referentiality. He seeks to restore spirituality to the body. Ofili has recontextualized the Catholicism he grew up with, imbuin...
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(H/B) ROBERT FRANK: STORYLINES

(H/B) PICTURES THAT MARK CAN DO