NORTHWESTERN UNIVERSITY PRESS

(P/B) MERLEAU-PONTY'S LAST VISION: A PROPOSAL FOR THE COMPLETION

(P/B) BUG: A PLAY

(P/B) BAKHTIN AND THE CLASSICS
Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences, but Bakhtin and the Classics is the first book to focus on the relationship between Bakhtin and classical studies, the discipline in which Bakhtin himself was trained. Clearly demonstrating the fundamental importance of classical literature in his work, Bakhtin and the Classics expands our understanding of both Bakhtin's thought and the literary and cultural history of antiquity. The authors, eminent classicists and dis...
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(P/B) THE DECONSTRUCTION OF TIME

(P/B) CLAREL (SCHOLARLY EDITION)
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THE JARGON OF AUTHENTICITY

(P/B) BINDING WORDS - CONSCIENCE & RHETORIC IN HOBBES HEGEL

(P/B) BALKAN BEAUTY, BALKAN BLOOD
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(P/B) MERLEAU-PONTY'S ONTOLOGY

(P/B) CURRENT CONTINENTAL THEORY AND MODERN PHILOSOPHY
For decades, continental theorists from Levinas and Derrida to Kristeva and Gadamer have engaged in provocative, penetrating, and often extensive examinations of modern philosophers, providing new ways to think about figures such as Descartes, Spinoza, Leibniz, Locke, Hume, Rousseau, and Kant. Current Continental Theory and Modern Philosophy gives this work its due for the first time. A systematic rereading of early modern philosophers in light of recent continental philosophy, this volume exposes overlooked but critical aspects of sixteen...
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(P/B) ADDRESSING LEVINAS

(P/B) DISCOVERING EXISTENCE WITH HUSSERL

(P/B) HUSSERL AT THE LIMITS OF PHENOMENOLOGY

(P/B) ESSENTIAL HISTORY

(P/B) INTERPRETING LAW AND LITERATURE
"Contemporary theory has usefully analyzed how alternative modes of interpretation produce different meanings, how reading itself is constituted by the variable perspectives of readers, and how these perspectives are in turn defined by prejudices, ideologies, interests, and so forth. Some theorists have argued persuasively that textual meaning, in literature and in literary interpretation, is structured by repression and forgetting, by what the literary or critical text does not say as much as by what it does. All these claims are directly...
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(H/B) ASPECTS OF ORALITY & FORMULARITY IN GREGORIAN CHANT
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(P/B) THE EATING OF GODS