Περιεχόμενα
Tell Me EverythingCHRISTIAN LORENTZEN ON FICTION IN THE AGE OF RADICAL TRANSPARENCY
Eyes Wide Shut
CHARLOTTE SHANE ON POWER, SHAMELESSNESS, AND SEX IN WASHINGTON, DC
Only Disconnect
NAUSICAA RENNER ON RUSSIAGATE'S BANAL SPRAWL
Yard Sale
JESSE BARRON ON THE SECRET COST OF COLLEGE
Advice and Consent
SHEILA HETI on Peter D. Kramer's Should You Leave?
Are You My Father?
MINNA ZALLMAN PROCTOR on Dani Shapiro's Inheritance: A Memoir of Genealogy, Paternity, and Love
To Have and Withhold
COLM TOIBIN on Henry James
Friendly Fire
GREG AFINOGENOV on The Americans
A Family Affair
SEAN HOWE on Tom O'Neill's Chaos: Charles Manson, the CIA, and the Secret History of the Sixties
Suspicious Minds
JANE HU on Wilkie Collins
Benign Lives
ALICE GREGORY on Shirley Hazzard
File Under...
SASHA FRERE-JONES on Robert A. Caro's Working: Researching, Interviewing,Writing
That Obscure Object of Desire
MICHELLE ORANGE on Lisa Taddeo's Three Women
Print the Legend
NAMARA SMITH on recent movies about journalists
Spy Maintenance
ANDREW MEIER on W. Somerset Maugham
Anarchy in the UK
SIDDHARTHA DEB on Joseph Conrad's The Secret Agent
The Infant Condition
ANNE BOYER on infants in fiction
True Lies
MARISSA BROSTOFF on J. T. LeRoy
Under the Skin
SAM HUBER on Walt Odets's Out of the Shadows: Reimagining Gay Men's Lives
The Importance of Being Honest
CLANCY MARTIN on Adrienne Rich
COLUMNS
RACHEL MONROE on true crime as self-help
BOOKFORUM CONTRIBUTORS on this season's outstanding art books
RACHEL SYME on Gloria Swanson
FICTION
LESLIE JAMISON: Miriam Toews's Women Talking
BECCA ROTHFELD: Gregor von Rezzori's Abel and Cain
KAITLIN PHILLIPS: Lauren Mechling's How Could She
MARIA DIMITROVA: Elvia Wilk's Oval
ARTS & LETTERS
JENNIFER KRASINSKI: Camp: Notes on Fashion
SARAH NICOLE PRICKETT: Janet Malcolm's Nobody's Looking at You
HOWARD HAMPTON: Andrey Tarkovsky, Life and Work: Film by Film, Stills, Polaroids & Writings
KAREN OLSSON: Daniel J. Kennefick's No Shadow of a Doubt: The 1919 Eclipse That Confirmed Einstein's Theory of Relativity and Ron Cowen's Gravity's Century: From Einstein's Eclipse to Images of Black Holes
JULIAN ROSE: Why Art Museums? The Unfinished Work of Alexander Dorner
MICHAEL ROBBINS: This Life: Secular Faith and Spiritual Freedom by Martin Hagglund
ALBERT MOBILIO: Matthew L. Tompkins's The Spectacle of Illusion: Deception, Magic and the Paranormal
CARINA DEL VALLE SCHORSKE: Native Country of the Heart by Cherrie Moraga
CURRENT AFFAIRS & POLITICS
LAUREN O'NEILL-BUTLER: Linda Hirshman's Reckoning: The Epic Battle Against Sexual Abuse and Harassment
SARAH JAFFE: Aaron Bastani's Fully Automated Luxury Communism
LUC SANTE: Svetlana Alexievich's Last Witnesses: An Oral History of the Children of World War II
JAMIE MARTIN: Tom Nicholas's VC: An American History
NEGAR AZIMI: Negar Mottahedeh's Whisper Tapes: Kate Millett in Iran
TOM CARSON: Tony Horwitz's Spying on the South: An Odyssey Across the American Divide
J. HOBERMAN: Enzo Traverso's The New Faces of Fascism: Populism and the Far Right
ANDREW SCHENKER: The House of the Pain of Others: Chronicle of a Small Genocide by Julian Herbert
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