BOOKFORUM, VOLUME 26, ISSUE 4, DECEMBER 2019 / JANUARY 2020

Περιεχόμενα

FEATURES
"Nobody Likes Being Called a Cesspool"
CHRISTINE SMALLWOOD ON D. H. LAWRENCE'S STUNNING, INDEFENSIBLE ESSAYS
Cutting Up
JOHANNA FATEMAN ON ANDREA LONG CHU AND VALERIE SOLANAS
Gone Girls
MICHELLE ORANGE ON RACHEL MONROE'S STUDY OF WOMEN AND TRUE CRIME
I Me Mind
MICHAEL ROBBINS ON THE UNENDING QUEST TO EXPLAIN CONSCIOUSNESS
COLUMNS
RACHEL SYME on the life and times of Carrie Fisher
RUMAAN ALAM on Andr? Aciman's Find Me
BOOKFORUM CONTRIBUTORS on this season's outstanding art books
HOWARD HAMPTON on Richard Avedon's ads
FICTION
CHRISTIAN LORENTZEN: Michel Houellebecq's Serotonin
ADAM WILSON: The Complete Gary Lutz
LAKE MICAH: Ta-Nehisi Coates's The Water Dancer
NEGAR AZIMI: Sonallah Ibrahim's Ice
JENNIFER KRASINSKI: Lisa Robertson's The Baudelaire Fractal
ARTS & LETTERS
CLAIRE JARVIS: Rachel Cusk's Coventry
JOSEPHINE LIVINGSTONE: Carmen Maria Machado's In the Dream House
JON RAYMOND: Margaret Kilgallen: That's Where the Beauty Is
KAITLIN PHILLIPS: Mary-Kay Wilmers's Human Relations and Other Difficulties
SASHA FRERE-JONES: Ian Penman's It Gets Me Home, This Curving Track: Objects & Essays, 2012-2018
TOM CARSON: Mark Morris and Wesley Stace's Out Loud
KATE SUTTON: Tara McDowell's The Householders: Robert Duncan and Jess
DANIELLE A. JACKSON: Sarah M. Broom's The Yellow House
ALBERT MOBILIO: Hildegard von Bingen: A Journey into the Images
ALBERT MOBILIO: Paul Roth and Amanda Maddox's Gordon Parks: The Fl?vio Story
CHLOE WYMA: Agnes Denes: Absolutes and Intermediates
WENDY VOGEL: Nancy Princenthal's Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s
CURRENT AFFAIRS & POLITICS
TROY VETTESE: Naomi Klein's On Fire: The (Burning) Case for a Green New Deal
PATRICK BLANCHFIELD: Stuart Schrader's Badges Without Borders: How Global Counterinsurgency Transformed American Policing
MAGGIE FOUCAULT: Megan Phelps-Roper's Unfollow: A Memoir of Loving and Leaving the Westboro Baptist Church
ERIC BANKS: Susan Neiman's Learning from the Germans: Race and the Memory of Evil and Wendy Bellion's Iconoclasm in New York: Revolution to Reenactment
MARISSA BROSTOFF: Lewis Raven Wallace's The View from Somewhere: Undoing the Myth of Journalistic Objectivity
MAX READ: Andrew Marantz's Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation
SAM McPHEETERS: Candacy Taylor's Overground Railroad: The Green Book and the Roots of Black Travel in America