SIGHT AND SOUND, VOLUME 29, ISSUE 9, SEPTEMBER 2019

Περιεχόμενα

To Live and Die in LA. By Kim Morgan
The Beautiful and the Damned. By Erik Morse
The Roads to Freedom. By Jonathan Romney
Stardust Memories. By Paul Julian Smith.
+ "Cinema is my life". By Maria Delgado
Bringing up Cary. By Pamela Hutchinson
Regulars
Editorial
And life goes on...
Rushes
On our radar
This month's highlights, from cinema seasons to streaming pointers
Street fighting woman. By Kim Megson
Dream palaces: New Roshan Talkies
Ritesh Batra, the director of The Lunchbox and Photograph, celebrates the enduring charms of a cinema frozen in time from old Mumbai.
The numbers: Summer alternatives. By Charles Gant
Films in production
New projects for David Fincher, Greta Gerwig and Noah Baumbach and Damien Chazelle.
Wide angle
Come and See. By Sukhdev Sandhu
Primal Screen: The Tenth Muse. By Pamela Hutchinson
Festivals
Il Cinema Ritrovato. By James Bell
Reviews
Films of the month
Home cinema features
Bad romance: Klute
Beneath the murk and ambiguity of Alan J. Pakula's paranoid thriller lurks a crisp and disciplined masterpiece. By Hannah McGill
The secret of Mai's success: Mai Zetterling: Samlade Verk 1964-1996
Mai Zetterling left behind a successful acting career to become a fearless and original director. It's time she was properly appreciated. Reviewed by Pamela Hutchinson.
Ham, Hammer, hammest: Bloody Terror: The Shocking Cinema of Norman J. Warren 1976-1987
Adding lavish helpings of sex and violence, Norman J. Warren's films pushed British horror to new extremes, not always in a good way. Reviewed by Anne Billson.
Lost and found: You and Me
Often written off as a failure, the most elusive of all Fritz Lang's talkies is a flawed but remarkable pleasure. By Tony Rayns.
Television
Robert Hanks on Buck Rogers in the 25th Century.
Books
Britpop Cinema: From Trainspotting to This Is England by Matt Gleasby (Intellect) reviewed by Will Massa
On the Back of our Images: 1991-2005 by Luc Dardenne (Featherproof Books) reviewed by Geoff Andrew
Little Did You Know: The Confessions of David McGillivray by David McGillivray (FAB Press) reviewed by Kim Newman
Letters
Endings
L'Argent
The denouement of Robert Bresson's last masterwork fulfils his ideas about filmmaking, and his urge toward the spiritual. By Chris Shields