WIRE, ISSUE 452, OCTOBER 2021

Περιεχόμενα

Faust: On the eve of a new box set chronicling their 1970s music, the German band's members and crew discuss their contrarian art of falling apart that has kept them going over 50 years. By Daniel Spicer. Plus, a survey of Faust's often equally fractious contemporaries including: Amon Duul: A Bavarian psychedelic legacy. By Edwin Pouncey. Klaus Dinger: La D?sseldorf and other Neu! adventures. By David Elliott. Dieter Moebius: Clusters of collaboration. By Matt Krefting
Mary Lou Williams: Taking in vaudeville, bebop, gospel-inflected hard bop, free jazz and beyond, the late composer's career is littered with gems of a prescient modernity. By Alexander Hawkins
Invisible Jukebox: Theresa Wong ? Ellen Fullman: The Bay Area experimental musicians tackle a mystery record selection. Tested by each other
They Hate Change: Florida duo Tampa with rap's DNA. By Neil Kulkarni
id m theft able: Water palaver for the improvising tuba player. By Joe Murray
More Eaze: Suburban collage from the Texas based composer. By Antonio Poscic
Siksa: Polish duo confront oppression. By Milos Hroch
Unlimited Editions: C/Site Recordings
Unofficial Channels: Song Work
Global Ear: New York's TIME:SPANS festival revives the intimacy of live sound
The Inner Sleeve: Carlos Casas on a Batavia gasometer pressure gauge plate
Epiphanies: Thomas Koner recalls formative vibrations
Print Run: New music books: sound art and climate change, a Deep South punkhouse, John Lurie's memoirs, and more
On Screen
On Location
On Site
Soundcheck
The Boomerang