BLOM LYNNE-ANNE

(P/B) THE MOMENT OF MOVEMENT
Improvisation, which has always been a part of folk and theatrical dance, became more visible in the artistic community in the 1960s with postmodern dance, particularly in the work of Steve Paxton, Yvonne Rainer, Trisha Brown, and Anna Halprin. Its therapeutic value has brought it to the attention of psychotherapists, and lately it has even found a social niche, in gatherings for Contact Improvisation. This attention has resulted in a renewed interest in, and respectability for, improvisation in the academic setting. [...] (From the publis...
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