ΓΡΕΓΟΥ ΚΑΤΕΡΙΝΑ

ΝΙΚΟΣ ΧΑΡΑΛΑΜΠΙΔΗΣ: SOCIAL GYM
[...] The artist takes great pains to design and manufacture a Byzantine archbishop's mitre, for example, and to adorn it with gems and gold, only to end up, dropping it unceremoniously into a dirty army sucksack. It's only the wireless television set of the house that we see, with its four simultaneous screens. These ambiguous domestic appliances, and the radical furniture that doesn't remotely remind us of the neatly designed, hi-teck furniture of the ideal homes we see in the cinema, create the essentially epic atmosphere to which Chara...
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