LINDEMANN ADAM

COLLECTING DESIGN
The design world never held much interest for me. From a purely investment perspective, art always looked more promising. Exceptional prices for extremely desirable works of art have been a recurring phenomenon for centuries, but ten years ago, the contemporary art world began to feel energised and sexy in a whole new way. I became obsessed with discovering and collecting the most explosive artists I could find. The art market was beginning to take off into uncharted territory. By 2005, works by Takashi Murakami, Damien Hirst, Richard Prin...
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COLLECTING CONTEMPORARY
Recently, the soaring prices and the excitement surrounding the Contemporary Art market hit the front pages of The New York Times and The Wall Street Journal. This sort of mainstream journalistic attention suggests that perhaps we are in the midst of an historic shift in the history of the art market, if not art history itself. Certainly there had been a major boom and bust only a decade ago in the Contemporary Art world, when artists like Julian Schnabel, Eric Fischl and David Salle had waiting lists a mile long; however, never before had...
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