TAPLIN OLIVER

Η ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΗ ΤΡΑΓΩΔΙΑ ΣΕ ΣΚΗΝΙΚΗ ΠΑΡΟΥΣΙΑΣΗ
Η επιστημονική έρευνα αντιμετώπισε την αρχαία ελληνική τραγωδία κυρίως φιλολογικά. Σπάνια αυτές οι δραματικές δημιουργίες μελετήθηκαν ως έργα, που βλέπονται και ακούγονται. Στο βιβλίο αυτό ο συγγραφέας του Oliver Taplin, βαθύς γνώστης της θεατρικής τέχνης και των φιλολογικών προβλημάτων της αρχαίας Ελληνικής Τραγωδίας, συγκεντρώνει τη προσοχή του σε εννέα (9) τραγωδίες, τρεις από κάθε μεγάλο τραγικό ποιητή, ΑΙΣΧΥΛΟ, ΣΟΦΟΚΛΗ και ΕΥΡΙΠΙΔΗ και τις μελετά ως δραματικές δημιουργίες, που παρουσιάζονται σκηνικά στο θέατρο. Έτσι πραγματεύεται το ν...
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(P/B) GREEK TRAGEDY IN ACTION
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances. Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of acti...
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(P/B) THE STAGECRAFT OF AESCHYLUS
The visual effect of the staging of Aeschylus' plays was an essential part of their impact. And yet all that survives today are the scripts. Imagination, helped by anachronistic sources, has played the chief role for those dealing with the dramaturgy of Aeschylus' works, and the result has usually been stages crowded with extras and equipment. In this book, the author approaches the subject from a completely different angle. He clears the stage and looks for clues of Aeschylus' stagecraft in the texts of the plays themselves. He concentrat...
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(H/B) POTS AND PLAYS
Pots and plays sets out to explore an outstanding case of the interplay between theater and visual art, and between the arts and life-human life, that is, as lived and suffered and concluded. These interactions were, it is here claimed, particularly strong at a certain time and place-and are relatively well preserved. The time was (roughly) the fourth century B.C., when the stunningly successful art form of tragedy was vigorously spreading out through performances from its city of origin, Athens, to the whole of the widespread ancient Gree...
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(P/B) COMIC ANGELS - AND OTHER APPROACHES TO GREEK DRAMA THROUGH

(P/B) LITERATURE IN THE GREEK WORLD

ΕΛΛΗΝΙΚΟΝ ΠΥΡ.