(P/B) THE POEMS OF ROBERT BROWNING - ROBERT BROWNING
ROBERT BROWNING
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Πιθανή θέση του είδους: Είσοδος Β (Εφηβική Λογοτεχνία, Φαντασίας κ.α.), Βιβλιοθήκη -
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Παρουσίαση
From the Renaissance onwards there have been two opposed traditions in English poetry, one ornate and mellifluous, represented by poets such as Spenser, and another, plainer, more colloquial and argumentative, less obviously musical, found in the works of Wyatt and Donne. In the Victorian period the champions of each tradition were Tennyson, whose brooding melancholy and ability to mm out effortlessly melodious verses made him fit everyone's idea of a poet, and Browning, whose verse is often awkward in expression and highly intellectual in content. For him, as he shows us in 'How It Strikes a Contemporary', the poet should be a modest but sharply perceptive observer of his fellow men, someone of whose ultimate value we are left in no doubt, but who may pass through life totally unnoticed.
John Donne's argumentative poems, in which the speaker projects his strong personality as a lover in different dramatic contexts, probably suggested to Browning the poetic form for which he is most famous, the 'dramatic monologue'. In his poems of this kind, he imagines himself into a great variety of characters and situations, designed to reveal individual human beings in all their complexity, often at some important moment in their lives. Through what they say, as well as what they leave unsaid, we are led, in a short space of time, to know them, to understand them and maybe to make a moral judgement on them. [...] (From the publisher)
Περιεχόμενα
PAULINE
PARACELSUS
1-Paracelsus Aspires
2-Paracelsus Attains
3-Paracelsus
4-Paracelsus Aspires
5-Paracelsus Attains
STRAFFORD
ACT 1
Scene 1-A House near Whitehall
Scene 2-Whitehall
ACT 2
Scene 1-The Same
Scene 2-Whitehall
ACT 3
Scene 1-Opposite Westminster Hall
Scene 2-Whitehall
Scene 3-The Antechamber of the House of Lords
ACT 4
Scene 1-Whitehall
Scene 2-A Passage adjoining Westminster Hall
Scene 3-Whitehall
ACT 5
Scene 1-Whitehall
Scene 2-The Tower
SORDELLO
Dedication
Book the First
Book the Second
Book the Third
Book the Fourth
Book the Fifth
Book the Sixth
PIPPA PASSES
Introduction
1-Morning
2-Noon
3-Evening
4-Night
KING VICTOR AND KING CHARLES
First Year, 1730-
King Victor-Part 1
King Victor-Part 2
Second Year, 1731-
King Charles-Part 1
King Charles-Part 2
DRAMATIC LYRICS
Cavalier Tunes
1 Marching Along
2 Give a Rouse
3 Boot and Saddle
The Lost Leader
'How They Brought the Good News from Ghent to Aix'
Through the Metidja to Abd-el-Kadr
Nationality in Drinks
Garden Fancies
1 The Flower's Name
2 Sibrandus Schafnaburgensis
Soliloquy of the Spanish Cloister
The Laboratory
The Confessional
Cristina
The Lost Mistress
Earth's Immortalities
Meeting at Night
Parting at Morning
Song
A Woman's Last Word
Evelyn Hope
Love Among the Ruins
A Lovers' Quarrel
Up at a Villa - Down in the City
A Toccata of Galuppi's
Old Pictures in Florence
'De Gustibus -'
Home-Thoughts, from Abroad Home-Thoughts, from the Sea
Saul
My Star
By the Fireside
Any Wife to Any Husband
Two in the Campagna
Misconceptions
A Serenade at the Villa
One Way of Love
Another Way of Love
A Pretty Woman
Respectability
Love in a Life
Life in a Love
In Three Days
In a Year
Women and Roses
Before
After
The Guardian-Angel
Memorabilia
Popularity
Master Hugues of Saxe-Gotha
THE RETURN OF THE DRUSES
Act 1
Act 2
Act 3
Act 4
Act 5
A BLOT IN THE 'SCUTCHEON
Act 1
Scene 1-The Interior of a Lodge in Lord Tresham's Park
Scene 2-A Saloon in the Mansion
Scene 3-Mildred's Chamber
ACT 2
Scene - The Library
Scene 1-The End of the Yew Tree Avenue under Mildred's Window
Scene 2-Mildred's Chamber
COLOMBE'S BIRTHDAY
ACT 1-Morning
ACT 2-Noon
ACT 3-Afternoon
ACT 4-Evening
ACT 5-Night
DRAMATIC ROMANCES
Incident of the French Camp
The Patriot
My Last Duchess
Count Gismond
The Boy and the Angel
Instans Tyrannus
Mesmerism
The Glove
Time's Revenges
The Italian in England
The Englishman in Italy
In a Gondola
Waring
The Twins
A Light Woman
The Last Ride Together
The Pied Piper of Hamelin
The Flight of the Duchess
A Grammarian's Funeral
The Heretic's Tragedy
Holy-Cross Day
Protus
The Statue and the Bust
Porphyria's Lover
'Childe Roland to the Dark Tower Came'
LURIA
ACT 1-Morning
ACT 2-Noon
ACT 3-Afternoon
ACT 4-Evening
ACT 5-Night
A SOUL'S TRAGEDY
ACT 1-Inside Luttolfo's House
ACT 2-The Market-Place
CHRISTMAS-EVE AND EASTER-DAY
Christmas-Eve
Easter-Day
MEN AND WOMEN
'Transcendentalism: A Poem in Twelve Books'
How It Strikes a Contemporary
Artemis Prologizes
An Epistle
Johannes Agricola in Meditation
Pictor Ignotus
Fra Lippo Lippi
Andrea del Sarto
The Bishop Orders his Tomb at St Praxed's Church
Bishop Blougram's Apology
Cleon
Rudel to the Lady of Tripoli
One Word More
IN A BALCONY
DRAMATIS PERSONAE
James Lee's Wife
Gold Hair
The Worst of It
Dis Aliter Visum
Too Late
Abt Vogler
Rabbi Ben Ezra
A Death in the Desert
Caliban upon Setebos
Confessions
May and Death
Deaf and Dumb
Prospice
Eurydice to Orpheus
Youth and Art
A Face
A Likeness
Mr Sludge, 'The Medium'
Apparent Failure
Epilogue
FROM 'FIFINE AT THE FAIR'
Prologue
Epilogue
PACCHIAROTTO, AND HOW HE WORKED IN DISTEMPER, et Cetera [...]
LA SAISIAZ
THE TWO POETS OF CROISIC
DRAMATIC IDYLS
JOCOSERIA
FERISHTAH'S FANCIES
A CHRONOLOGICAL LIST OF ROBERT BROWNING'S POEMS AND PLAYS
INDEX OF FIRST LINES
INDEX OF POEM TITLES
Είδατε πρόσφατα
Η ΑΡΠΑΓΗ ΤΗΣ ΕΛΕΝΗΣ - ΙΛΙΟΥ ΑΛΩΣΗ - ΗΡΩ ΚΑΙ ΛΕΑΝΔΡΟΣ ΑΛΦΕΙΟΣ
ΠΑΙΔΑΓΩΓΙΚΟΣ ΛΟΓΟΣ, ΤΕΥΧΟΣ 3, ΔΕΚΕΜΒΡΙΟΣ 2000
ΠΑΝΕΠΙΣΤΗΜΙΟ ΤΕΥΧΟΣ 2 - 2000
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